Inspired by the linked XKCD. Using 60% instead of 50% because that’s an easy filter to apply on rottentomatoes.
I’ll go first: I think “Sherlock Holmes: A game of Shadows” was awesome, from the plot to the characters ,and especially how they used screen-play to highlight how Sherlocks head works in these absurd ways.
I just looked up Event Horizon and it only got a 33%. I love that movie. It genuinely really creeped me out. Few horror films do.
That is absurd! Event Horizon is the only legit Doom movie. That was the idea all along and they even used the sound clip from the spawn cube in the movie.
Also, although I am not a 40k fan, I know some people see this as a prequel to Warhammer 40k as the moment in which humans first get to use the Warp.
It was ruined by execs, but it is a masterpiece, especially in the production design.
I watched that thinking it was just sci-fi while high as a kite in my teens.
I’m still not over it.
A+
Indeed, that movie is actually scary! Like proper scary, not how most movies are.
And there was a lot of cut content that was even crazier than what made it into the released film:
Just goes to show you some people (critics) have no taste. That movie was awesome!
As always, it has to be kept in mind how the RT scores work. It doesn’t aggregate scores, it just aggregates if the review is positive or negative.
A movie with hundred critics saying “Yeah, the movie is fine I guess” will score higher than a movie with 90 of those critics saying “This is the best movie I’ve ever seen!” and 10 of them not really feeling it.
The concept of mass critic aggregation also just has fundamental problems compared to following and learning the tastes of a specific critic, in order to evaluate their review.
I love the dismissal of critics as a while because a movie you like scored low. It’s a good creepy movie but it’s no that good of a movie overall. It’s very cheesy, the dialogue is poor, the story is minimal. It’s got great creeps though.
I enjoy critics that can clearly convey the reasons why a movie might hit or miss for their audiences. I detest critics that have to dissect a film and score it low because it doesn’t meet their art house ideals.
And there are people who feel the exact opposite of me. Which is fine.
Right? It also got a 61% audience score, which I found surprising. I always hear good things about it from people.
