Down voted cause substack allows nazi content.
Ugh, spotify soot again?
At least according to spotify (it would probably be illegal for them to lie anyways), Spotify pays almost 70% of revenue to rights-holders (whoever distributes the thing, e.g. record labels), which means they take about the same cut as Steam. Good luck complaining about that.
You often see people citing the $.003 per stream for rights-holders figure for Spotify. That’s not exactly what Spotify decides! Spotify pays rights-holders share of the 70% of the revenue based on how much they were streamed. TL;DR: Spotify pays rights-holders slices of pie based on how much their artists help bake. So, if artists aren’t getting payed enough, Spotify simply isn’t getting enough revenue despite reinventing radio for its free tier!
Not to mention how certain rights-holders (fortunately not DistroKid) gobble royalties away from artists. And, the author’s solution to (insert @Nougat’s comment here)?
(On a side note: I hate Tidal free, because it “doesn’t” have ads! Every single interruption I’ve encountered so far is the generic Tidal announcer telling me to subscribe to premium. Sometimes I even get a freaking video “ad” on cellular data telling me the same thing, and there are only 4 “ads” in total! There’s no variety! It’s just repeating! Aaaaaaaaa (dw just yelling me name
For what its worth (and its totally fine if you dont see it the same way) a free service that is promoting itself is a special type of advertisement and should be excluded from talking about ad supported content or when using just the phrase ads
That being said it is still equally disruptive but its not trying to schill you something you arent already committed to using and for free service thats an entirely fair way for them to try to get new subscribers and seems more like promotion than advertising
Agree to disagree but i do think its an important distinction when discussing ads
My current rules are that I’m gonna spend £10 a month on music (what I’d be paying Spotify) and try to buy directly from artists. I’ll allow myself listening to stuff on Youtube so I can gauge whether or not I wanna then go ahead and buy a song or an album if I’ve listened to it enough times and want it in my library.
So … it’s okay to listen to it for free on YouTube and maybe buy it directly, but not to pay a Spotify subscription and listen to it there (and also maybe buy it directly)? The whole rant about “Spotify doesn’t pay musicians very much” comes off as disingenuous.
The amazing mental gymnastics that these people go through to justify their piracy and inane behaviors.
Musician’s pay is just the excuse of the day for them to feel okay about what they’re doing. Honestly, if you are gonna pirate then just pirate, stop pretending that it’s for a good cause or higher purpose, other than to keep your own wallets stacked.
You could’ve replied to 100 comments on this thread about piracy but you replied to the one that had nothing to do with it.
Fai point, but regardless it seems to have struck a nerve with the piracy crowd.
I don’t have beef with piracy itself but I found it hilarious the number of pirates here standing on their soapboxes, pretending to be some kind of modern day Robin Hood and virtue signaling super hard.
Guys, you are still ripping off artists and content creators regardless of their deals with media company, just admit you want shit for free.
Probably pirated almost every artist I’ve subsequently bought from and go to shows average about once a month. Have professional musicians in the family and they work as studio musicians, composers for media, teaching, play in bands that do covers for corporate events, or as a backing band for a front person. That’s probably the majority of musicians unless you’re lucky enough to be in a band that gains any notoriety. Most bands are passion projects between musicians who have day jobs and might only play a few small gigs at local venues. So when we’re talking about piracy as if it’s the most significant thing impacting musicians, really it’s a small facet of a very difficult industry to work in.
I don’t really think piracy is the single most significant thing impacting musicians, my main point to the “Honorable” pirates is just to cut the shit and admit you rip people off because you want to, not because you are some incarnation of Captain Jack Sparrow out to serve justice while you loot and plunder.
Honestly? No, while I do still pirate, I am slowly buying all the music I can buy in form of vynils records and CDs, other than digital downloads from bandacamp.
Watching for free on YouTube is not piracy, and laughably, I’d say it is better than using Spotify that quite literally exploits artists for cents.
No, while I do still pirate, I am slowly buying all the music I can buy in form of vynils records and CDs, other than digital downloads from bandacamp.
Good on you, the act of buying is what makes the difference.
Watching for free on YouTube is not piracy, and laughably, I’d say it is better than using Spotify that quite literally exploits artists for cents.
My comment is in the wrong thread as the other commentor pointed out, it was directed at the Robin Hood wannabes who thinks somehow ripping off artists and creators is okay, because they have a shitty deal with distributors / media companies.
Jack Stratton of Vulfpeck was interviewed on CNBN about the Spotify IPO and gets around to making a good point about it here, “stop whining… me.” Artists don’t have to use a label and get paid in these “pitties” from Spotify, ultimately its a bizarre consumption model and likely unsustainable.
Not going to give substack any views, so I’ll pass on this one
If you’re so petty about it, use archive.org or archive.is to view the page
If you have an adblocker, and you’re not visiting any of those nazi sites directly, but do derail a comment section about a totally unrelated article? I say it is, yeah.
Then again, I can be pretty petty about circlejerks.
Viewing a website doesn’t mean supporting the website. Especially if you use an adblocker.
They outright won’t ban Nazi content from their website. https://www.theverge.com/2023/12/21/24011232/substack-nazi-moderation-demonetization-hamish-mckenzie
They commodify and profit from Nazis on their platform. When called out for it, their response was “We don’t like Nazis either, but we won’t do anything about them and we’ll continue to take our cut from their presence on our platform”
Oh I remember hearing that quote. That was them? I had a conversation about it like a week ago. I read “substack” in the article but all tech names are pretty interchangeable to me. They all have the same groupings for the type of thing they are and substack sounded like image hosting or something to do with coding or some template bank for some kind of necessity like invoices or something. Point is, tech names are stupid and I didn’t even put the name to the site as I read it. Good to know, though.
And in 2024, Spotify will stop paying out songs which get less than 1000 streams in a year. Which means for me, as an artist in the early stages of my career, I am going to get paid nothing. I could get over 1000 streams on all my songs in total, but still get paid nothing. I could get 999 streams on a song one year and 999 streams on it the next year… and still get paid nothing.
As the author states in the previous paragraph, Spotify pays 0.003c per stream. I don’t think the author has done the maths. 1000 streams equals 3c. He’s complaining over not getting paid 3c as if that will fund his career
stop paying out
Spotify refuses to pay for content it earns money from, is another way of saying this. Stealing, is another way. YouTube does the same if it decides you’re not a part of the ““party””.
Give me my 3c or pay with your blood.
You (or your label who represents you) voluntarily put your music on spotify and can always pull your content if you want.
Equating this to theft makes zero sense. And your post is universally upvoted. Wtf?
Have you considered the power imbalance when you describe them as voluntarily putting it on Spotify? What are your views on “paying people in exposure” or unpaid internships?
Your 3c (or $3, whatever) might not be much but they’re saving that across thousands and thousands of small artists so for them it’s another lucrative way of skimming the profits of the actual creators for themselves.
