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blakestacey

blakestacey@awful.systems
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Bio people here are poorly informed. Just in general some of the presentations are factually incorrect

B-but rationalists are experts at covalent bonds

Also meeting people… as a woman I have never felt as ignored and disrespected as I have in some instances the pa…

I’m sure the feedback becomes more positive in the cut-off part, no doubt about it

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I’m trying to think of a polite way to say “in short, no” and “the linked tweet having “effectivealtruism” in it twice should have been a clue”, because I’m not that mean, but I probably need more coffee too.

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If we trace one ancestry path back to science-fiction fandom, well, there’s John W. Campbell.

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banned for obnoxious not-pology

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Mastodon has Reply Guys. Lemmy has Cater To Me Whilst I Am Literally, Not Figuratively, Taking a Shit Guys.

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“And a waifu is only a waifu, but a good cigar is a smoke.”

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In the first Foundation story, there’s a weird mention of applying symbolic logic to human language that comes from nowhere and goes nowhere. Campbell insisted upon it because

he felt in our discussions that symbolic logic, further developed, would so clear up the mysteries of the human mind as to leave human actions predictable. The reason human beings are so unpredictable was we didn’t really know what they were saying and thinking because language is generally used obscurely. So what we needed was something that would unobscure the language and leave everything clear.

Clear being a fortuitous choice of wording on Asimov’s part there, given, well.

TESCREAL and Scientology don’t just share methodology; they both descend directly from “Golden Age” science fiction. In this essay I will

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More broadly, (ie not just in relation to Cory Doctorow), I’ve seen the take floating around that’s like “hey, what the heck, artists who were opposed to ridiculous IP rights restrictions when it was the music industry doing it are now in favor of those restrictions when it’s AI, what gives with this hypocrisy?” which I think kind of… misses the point?

I’ve noticed that too, on occasion. I think the “hey whoa, artists are copyright maximalists now?!” takes tend to miss how artists are coming from concerns about what is morally right and how they can make a living, not copyright as a principle. The latter is, at most, a tool to achieve the former.

With that in mind, a lot of the artist outrage over AI feels much more in line with artists getting mad about, say, watermark-removal tools, or people reposting art without credit, than it does with the copyright battles of the 00s.

This says it better than I was going to.

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