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I hold the opposite opinion in that creatives (I’d almost say individuals only, no companies) own all rights to their work and can impose any limitations they’d like on use. Current copyright law doesn’t extend quite that far though.

I think that point’s worth discussing by itself - leaving aside the AI - as you wrote it quite general.

I came up with some examples:

  • Let’s say an author really hates when quotes are taken out of context, and has stipulated that their book must only appear in whole. Do you think I should be able to decorate the interior of my own room with quotes from it?
  • What about an author that insists readers read no more than one chapter per day, to force them to think on the chapter before moving in. Would that be a valid use restriction?
  • If an author wrote a book to critique capitalism - and insists that is its purpose. But when I read the book, I interpreted it very differently, and saw in its pages a very strong argument for capitalism. Should I be able to use said book to make said argument for capitalism?

Taking your statement at face value - the answers should be: no (I can’t decorate), yes (it’s a valid restriction), and no (I can’t use it to illustrate my argument). But maybe you didn’t mean it quite that strict? What do you think on each example and why?

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Fair points. I think the restrictions in most part would have to be in place for commercial use primarily.

So under your examples

  • Yes, you should. As there’s no commercial usage you’re not profiting off of their work, you’re simply using your copy of it to decorate a personal space

  • If we restrict the copyright protections to only apply to commercial use then this becomes a non-issue. The copyright extends to reproduction (or performance in the case of music) of the work in any kind, but does not extend to complete control over personal usage.

  • Personal interpretation is fine. If you start using that argument in some kind of publication or “performance”, then you end up with fair use being called into question. Quoting, with appropriate attribution is fine, but say you print a chapter of the book, then a chapter of critique. Where is that line drawn? Right now it’s ambiguous at best, downright invisible at most times.

I appreciate the well thought out response. I hold sting views on copyright of an individuals creative work as a musician and developer, and believe that they should have control over how their products are used to make money. These views probably are a little too restrictive for the general public, and probably won’t ever garner a huge amount of support.

I dropped the ball on making sure to specify use as in commercial use, I’ll put an edit at the bottom of the op to clarify it too

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