I take a modicum of comfort in the fact that no one will want to watch “half this actor and half this one with a dash of this one thrown in” because that’s weird and not enticing. After the initial novelty, I imagine those films will struggle.
Hollywood spent a very fucking long time cashing in on celebrity and name recognition and the lives and loves of these beautiful people, building them up to tear them down…they won’t suddenly build a new and flourishing market of not real people but cheap store brand knockoffs of the ones they’ve convinced us we give a shit about. That just won’t work.
ai denial spotted in the wild
Edit: Imagine having characters that are not played by a real person. Your movie won’t be ruined just because the actor is controversial. Just an example.
Well, as someone who works in film, this actually does affect me. This is a very real and very imminent threat. I would love to have no work and be able to survive. But that’s not the world we live in. And I think that being cavalier about letting massive corporations’ AI amass all the power they want while we all use it for fun is incredibly foolish. This isn’t the vanguard of the revolution. This is the elite creating a system that doesn’t replace us so we can live free. It’s about creating competing software that can do the fucking creative work. (a.k.a., those of us that found something we can stomach doing for our living in this backwards ass system.)
How can anyone—especially people in antiwork—be supportive of AI built by the most massive and dangerous tech companies going after the artists that have managed to make a living creating that art first? How is the concept of AI the good guy here? Writing, digital art, acting? Literally some of the only creative endeavors we have to survive on in this fucking capitalist hellscape.
Did you see the deadline article, where an executive said the current negotiating tactics for the writers is “wait until they start losing their apartments?” And you’re…supportive of this?
Also: your last argument is about…the ongoing profitability of films? Not about human enjoyment or surviving in a capitalist dystopia or the human experience of creating and appreciating art, but…the vampiric studios’ ability to continue profiting after an actor gets canceled? The fuck?
And I think that being cavalier about letting massive corporations’ AI amass all the power they want while we all use it for fun is incredibly foolish.
Open Source FTW
This isn’t the vanguard of the revolution. This is the elite creating a system that doesn’t replace us so we can live free. It’s about creating competing software that can do the fucking creative work. (a.k.a., those of us that found something we can stomach doing for our living in this backwards ass system.)
This is why fast transition from the current world to post-work world is important. If the transition will be slow it will be very unpleasant for everyone. And again, open source FTW.
How can anyone—especially people in antiwork—be supportive of AI built by the most massive and dangerous tech companies going after the artists that have managed to make a living creating that art first?
Open source FTW and we need to push the governments for UBI and such as a transition to post work world.
How is the concept of AI the good guy here? Writing, digital art, acting? Literally some of the only creative endeavors we have to survive on in this fucking capitalist hellscape.
Uhhh, you can still write and draw whatever you want, it’s just that the art will be available to more people. More people will be able to create characters, worlds, images etc. more easly which is very cool.
Did you see the deadline article, where an executive said the current negotiating tactics for the writers is “wait until they start losing their apartments?” And you’re…supportive of this?
Why would I support this?
Also: your last argument is about…the ongoing profitability of films? Not about human enjoyment or surviving in a capitalist dystopia or the human experience of creating and appreciating art, but…the vampiric studios’ ability to continue profiting after an actor gets canceled? The fuck?
Bruh, just bruh… The argument was about not having a fictional character tied to the real world person which will allow you to disconnect from the real world and immerse into the medium even further.
I take a modicum of comfort in the fact that no one will want to watch “half this actor and half this one with a dash of this one thrown in” because that’s weird and not enticing. After the initial novelty, I imagine those films will struggle.
What are humans and their personalities other than just a mix of other people (genetics) and some random stuff thrown in? The ai generated humans and real humans are not different. It’s just that the ai generated humans wouldn’t exist physically in the real world. But that doesn’t matter though, movies are all about selling the illusion of the world they represent, you don’t need real stuff to represent fictional worlds. Take books for example, books don’t have actors and they sell pretty damn well, we still immerse ourselves into those worlds and see each character as a separate entity.
what are humans and their personalities other than just a mix of other people (genetics) and some random stuff thrown in?
Wow. I…
They’re human. Individual. AI generated humans and real humans are different. Very different. I don’t know how we could ever come to any sort reconcilable middle ground if we can’t agree on that much.
Your argument was that nobody would be interested in the mix of looks and personalities of multiple humans and I pointed out that it’s the same for real humans an ai generated that we are just “randomly generated”. I watch things for the illusion and not the actors that are trying to sell that illusion. I’m not saying that ai generated videos of humans will be humans, absolutely not. I’m only talking about the illusion on the screen. Maybe we are arguing about completely differnet things idk.