Greg Rutkowski, a digital artist known for his surreal style, opposes AI art but his name and style have been frequently used by AI art generators without his consent. In response, Stable Diffusion removed his work from their dataset in version 2.0. However, the community has now created a tool to emulate Rutkowski’s style against his wishes using a LoRA model. While some argue this is unethical, others justify it since Rutkowski’s art has already been widely used in Stable Diffusion 1.5. The debate highlights the blurry line between innovation and infringement in the emerging field of AI art.
That’s incorrect in my opinion. AI learns patterns from its training data. So do humans, by the way. It’s not copy-pasting parts of image or code.
AI doesn’t “learn” anything, it’s not even intelligent. If you show a human artwork of a person they’ll be able to recognize that they’re looking at a human, how their limbs and expression works, what they’re wearing, the materials, how gravity should affect it all, etc. AI doesn’t and can’t know any of that, it just predicts how things should look based on images that have been put in it’s database. It’s a fancy Xerox.
Why do people who have no idea how some thing works feel the urge to comment on its working? It’s not just AI, it’s pretty much everything.
AI does learn, that’s the whole shtick and that’s why it’s so good at stuff computers used to suck at. AI is pretty much just a buzzword, the correct abbreviation is ML which stands for Machine Learning - it’s even in the name.
AI also recognizes it looks at a human! It can also recognize what they’re wearing, the material. AI is also better in many, many things than humans are. It also sucks compared to humans in many other things.
No images are in its database, you fancy Xerox.
And I wish that people who didn’t understand the need for the human element in creative endeavours would focus their energy on automating things that should be automated, like busywork, and dangerous jobs.
If the prediction model actually “learned” anything, they wouldn’t have needed to add the artist’s work back after removing it. They had to, because it doesn’t learn anything, it copies the data it’s been fed.
You’re correct in your description of what a derivative work is, but this part is mistaken:
The intent is so that artists can make a living for their innovation.
The intent is “to promote the progress of science and the useful arts” so that, in the long run, the Public Domain is enriched with more works than would otherwise exist if no incentive were given. Allowing artists to make a living is nothing more than a means to that end.
