As a producer who aims to make 2-10 million dollar genre flicks, I don’t see why ticket prices shouldn’t be scaled to budgets. Don’t want to pay 25 bucks to see Avengers 16? Pay 10 to see a low to mid budget crime or horror flick instead.
To keep profits up, theaters should bring back double features, intermissions, and sell popcorn with THC butter. Snack sales will explode.
Theatres were dying before covid. People can get a better experience from home for less money. This is one of those things covid helped speed the death of up. Just like distributed working for those who have jobs that can be done remote offers better productivity with lower costs to employers and workers. Those businesses that fail to adapt will be brought into the future kicking and screaming or just fail to adapt and die off.
I agree with you that this summer of 300 million dollar studio flops is well deserved and that the unholy fusion of Big Tech and Hollywood has destroyed our industry. Unfortunately for TV buffs, the era of big budget streaming is now also coming to a close due to a mixture of labor actions, rising interest rates, and the simple fact that there are too many apps and none of them make money.
The reason I prefer watching movies in theaters is because I enjoy communal experiences and feel good movies are enhanced by leaving home and joining a crowd. It’s the same reason I go to concerts, sporting events, and plays and comedy shows. Plus I am required to turn off my phone.
Why don’t you all get togther and make a kickstarter for films, to go around the big corporate structure. Some sort of non-profit film studio that’s devoted to creating creating great scripts and funding their production.
Crowdfunding has been great for small indie video games and products and historically awful for film. Remember the Veronica Mars movie on Kickstarter? They raised a shitload of money from fans and then sold it to WB. We haven’t seen a high profile film crowdfunded since. WeFundr exists, but isn’t particularly killing it.
To make a real movie with wide theatrical potential, you need people willing to put six and seven figures in. Investors in movies want equity and access. They want a piece of the potential profit, they want to visit sets, meet movie stars and directors, and come to premieres and festivals. They want to have a cameo in the movie or give their kid a job on set. They want to see their names on a screen. They want to give notes. They want to tell their friends they made a movie. They want to be a part of the show. It’s my job to facilitate these investments while protecting my filmmakers from interference.
Well that explains why movies suck so much nowadays. Y’all need to fix that.
