For some women in China, “Barbie” is more than just a movie — it’s also a litmus test for their partner’s views on feminism and patriarchy.
The movie has prompted intense social media discussion online, media outlets Sixth Tone and the China Project reported this week, prompting women to discuss their own dating experiences.
One user on the Chinese social media platform Xiaohongshu — a photo-sharing site similar to Instagram that’s mostly used by Gen Z women — even shared a guide on Monday for how women can test their boyfriends based on their reaction to the film.
According to the guide, if a man shows hatred for “Barbie” and slams female directors after they leave the theatre, then this man is “stingy” and a “toxic chauvinist,” according to Insider’s translation of the post. Conversely, if a man understands even half of the movie’s themes, “then he is likely a normal guy with normal values and stable emotions,” the user wrote.
His critique of it is basically that it’s too “woke” but he really has nothing to say about the essential elements of any movie (plot, tone, character development, etc). He’s either unable or unwilling to separate politics from his review. It’s like he doesn’t know a movie can be well made even if you disagree with its themes.
I mean, I think it’s fine to critique a movie on themes as well. It’s a key aspect that makes up a film, like effects, writing, casting, or acting. I don’t think critiquing it as “woke” is invalid - it tells his audience a key facet of what they want to know about a movie. If a movie was coming out and someone reviewed it saying the themes were pro-fascist, I’d also want to know that and not attend based off of theme.
I just like that a movie which, in no uncertain terms, advocated for strong, independent men is too “woke” for Ben Shapiro. But I guess if you determine your worth as a man by how much control you have over women, that tracks.
Fascism is an actual defined term. Woke isn’t, it just means whatever the user wants it to mean, which is usually something like not wanting some minority group to exist.
I think “woke” actually does have a definition, put forth by DeSantis’s lawyers, IIRC. I don’t want to go find it right now, but it was something along the lines of “aware of and acknowledging the existence of systematic racism in the United States.”
But more broadly, these days it just means “progressive” without defining any specific arena, so personally, I think woke is a valid way to describe a movie. In fact, if a movie doesn’t have at least some “woke” themes, I’m not too interested in seeing it these days.
The fact that it’s mis-defined or used as a pejorative does not invalidate its definition nor mean it can’t be used as a descriptor of a film. It’s literally an adjective.
If you ever have (unfortunately) heard of his absolutely dogshit book, then his inability to understand deeper meanings, subtext, themes, and to grapple with a competent plot should not surprise you in the least. Robert Evans, Cody Johnston, and Katy Stoll read it through on Behind The Bastards in a few episodes. Imagine the novelization of a Steven Seagal movie adaption of a Jack Ryan plotline. Combine that with how ol Benny really wanted, and failed, to be a screenplay writer, and it makes sense his absolute hatred for modern Hollywood movies that don’t say all the things he likes.
Interesting. Have you listened to the behind the bastards take on Scott Adams? That’s pretty funny too.
