Star Trek '09 and Into Darkness are both better movies if you read their supplementary comics. This is, I think, already on bad ground. Each work should be able to stand on its own to some degree. Pushing supplementary stuff like this to bring the story together is a cynical cash grab.
Season 1 of Picard then directly contradicts the comic to '09. Specifically, Data was fully revived inside B4 in the comic, while Picard showed that B4 could never handle the complexity of Data’s programming (which, admittedly, is the more likely outcome). Not only that, but Alex Kurtzman was one of the writers of the comic was also on the writing team of Picard. Erasing that plot point was a deliberate choice.
Where does that leave us with those comics?
Oh, but the power of American superhero comics is that you can just start reading them wherever. Sure, there is deeper lore, but you’re not required to know all that. There’s this bat-dude, see? He punches crooks and does awesome shit in the night. There’s also a bunch of wacky villains. See? Just go read it, you’ll pick up the rest of the details as you go along!
And I also love a lot of European comics because most often they have a pretty good balance between complex writing and manageable size. And publishers here tend to be more lenient toward artists making one-shot kind of comics, without any expectations that it’ll become the next endless blockbuster cash-cow property.
Still, I do like how most of the manga series are like “OK, here’s the beginning, here’s 20 or whatever volumes, here’s the end.”
Jujutsu kaisen has entered the chat.
(But only if you are some random website who thinks the original release timeline isn’t “the correct way”)
And that’s why Comics < Manga
and I say that as someone who reads more Comics than she does Mangas (Not really fond of anime aside from specific examples)
do comics have as much filler as manga? because most manga and anime I’ve seen (which isn’t too much admittedly) has been full of irrelevant shit just to pad things out.
Yeah. I tried getting into comics once and got a multi-gigabyte archive of deadpool stuff.
…couldn’t make heads or tails of it.
Actually couldn’t get into IDW sonic/transformers for the same reason. WHERE DO I START!?
I’m surprised you had this problem with IDW Sonic as it’s an incredibly easy book to follow. If you were confused by the beginning then know that the whole book takes place after Sonic Forces, but before Frontiers in the game timeline. Unlike Archie Sonic which is its own continuity.
Well, it was a spur-of-the-moment sort of thing when I went and looked at their site and it just had a bunch of names with no numbers there under the book art.
Went and checked now and site looks entirely different, and I can clearly see the issue numbers. I don’t know, maybe I hallucinated it.
Let me introduce you to The Melancholy of Haruhi Suzumiya
The manga? Start with chapter one. The light novel? Start with chapter one. Only the anime made it needlessly confusing.
What do you mean, needlessly confusing? The release order was genius. Opening with the movie screening showed exactly the kind of show it was. It also allowed the climax to be in the last episode of the season, while still having it happen in the middle chronologically (as Haruhi wanted).
But the second season was where KyoAni outdid themselves. It was an improvement on the first season. While the first season was great, the second was even better. Sometimes you see a series dip in quality in S2, but here it was the opposite - the quality improved. For the second season showed an uptick in the narrative. The first season had already pushed the limits of storytelling, but the second went further. While the first season was greatly enjoyable, the second was even more so. Perhaps the most ardent fans may try to quantify the quality, and say that it was, I don’t know, eight times better than the first.
