For me, it was always Optimus Prime from The Transformers movie.
Wash’s, in “Serenity”. It was just so unexpected and abrupt, and it served to generate a sense of unease in the viewer; after Wash’s death, no character seemed to be protected by plot armor. Granted, Shepherd Book bit it before Wash did, but the movie seemed to set him up to be separate from the rest of the crew. I loved that Whedon played with this concept of fragility in the ensuing battle, with Kaylee getting darted, Zoe getting sliced up, and Simon getting shot. And then, Mal’s battle with the agent… I thought the misdirect was masterfully done.
I’ve been affected by character deaths before and since, but Wash’s death was the only death I’ve seen in media that has made me worry for the safety of the other characters. It made a lot of sense outside of the movie, too, as “Serenity” was more or less a tribute to some IP that was never going to get resurrected. While watching the movie for the first time, I was left thinking: “what if Whedon just said ‘fuck it’?”
The gut punch was Gina Torres, and Zoe not being allowed to grieve and be with Wash.
I watched Serenity again a couple years ago, and it was just as harsh and abrupt as I remember it. It’s a hard emotional jab at anyone who has ever loved a partner that’s a part of their everyday life.
For a deeper gut punch, remember that in “Heart of Gold”, Zoe tells Wash that she wants to have a baby with him, and she won’t brook any of his lame excuses, like “the universe is too dangerous for kids”. It’s possible that if there was ever a second movie or a continuation of the series, they’d say that Zoe did get pregnant just before all of the shit went down, but with it being abandoned IP, we have to guess. So what do you think? Is there a mini Wash in Zoe’s future?
I probably haven’t seen The Neverending Story in 25 years, but I still think about Artax from time to time. Fuckin’ Swamp of Sadness…
For real. That moment in that movie is basically telling you that you cannot save your best friend from crippling sadness and depression. The horse and the boy love each other but it doesn’t matter in the end.
I was allowed to watch that movie waaay too young, and I know it’s the same for others my age, but I was pissed when I learned that one of my friends let her 5 year old watch it because she’d seen it when she was 5, and apparently forgot or didn’t care that the horse dies?? Like how can you forget that?? And then the 5 year old heard us talking about the movie and the FIRST thing she says is “Remember the horse?” in this sad little voice. Way to traumatize your kid.
It was so traumatizing, death by depression. But, overall, as a little fruity kid about the same age as Bastian when it came out, TNS was the closest thing to affirmation of my own little fruity existence I could find. We easily traumatized fruity kids don’t usually get represented well in action films.
Dangit! Two people now have totally eclipsed what I was gonna add with something that just takes more wind out of my sails!
I definitely need something to cuddle now.
Companion cube
First time I saw Wash die in firefly was brutal.
More recently, after watching better call Saul I am heartbroken over Mike’s death. Particularly for Stacey and Kaylee.
Mike Ermentraut was an amazing character. They built him so well as a fully 3 dimensional broken man who still held on to a sort of moral code, warped as that was.
The actor was excellent and portrayed ‘old-man strength’ perfectly. The pain he held inside but never even seems to really understand was written on that bumpy face. But you knew and really believed that he struggled to show his kind of love to the remnants of his family. Mike died as a fully human being.
Howard’s death hurt me the most out of all of them. Not sure why.
I guess because he was an innocent guy in the wrong place at the wrong time. They just wanted to fuck with the guy just a little but instead they tore him down and destroyed him. It just feels bad.
Namaste! They built him well too, but differently. He might be one of those ‘good times, noodle salad’ people. Well intentioned, cosseted, smart in a narrow way and so so naive. The clincher was dumping him in the same hole as Lalo Salamanca. Dirt doesn’t know the difference, but the audience did.
“Dogmeat has died”.
Oh no he fucking has not. Reload.
