Logline
Captain Pike and his crew welcome a Klingon defector aboard the USS Enterprise, but his presence triggers the revelation of some shocking secrets.
Written by Davy Perez
Directed by Jeff Byrd
2x07: Wacky crossover with the comedy cartoon!
2x08: WAR IS HELL, NOBODY IS INNOCENT, MORALITY IS GREY, FORGIVENESS IS QUESTIONABLE, AND THE FRIENDLY DOCTOR MAY OR MAY NOT HAVE DELIBERATELY KILLED A GUY IN COLD BLOOD
2x09: Musical!
Find you a show that can do both.
Buffy
Mom
Once more with feeling
Stargate
Wormhole Xtreme
The tomb
But yeah had to go quite far back
Edit also how could I forget what seems an inspiration of this episode M*A*S*H
> Edit also how could I forget what seems an inspiration of this episode MAS*H
Yes, definitely had a MASH vibe.
@Continuumguy @startrek But in its serious mode, without the wacky anti-authoritarian hijinks.
So… I have loved this entire season but I am not sure about this one.
I’m a vet with PTSD, and I’ll preface my upcoming comments by simply stating that maybe it hit close to home and made me uncomfortable. Maybe dealing with those feelings clouded my perception of the episode. However, the TNG and DS9 episodes dealing with PTSD are some of my favorite and are actually therapeutic for me, so maybe that’s not the case.
Ultimately, the message was dour and I resent it a little since it implies that there isn’t any healing that can occur from this type of trauma, which I believe is completely false. Sure, there might not be any healing for M’Benga as a character, but the thematic message of the episode implied some stuff I’m not really a fan of.
Furthermore, how is Pike supposed to operate as a Captain after both M’Benga and Chapel have committed conspiracy to cover up a murder? I think I will just have to head-canon this episode way. It’ll join “Sons of Mogh” as an episode I just pretend never happened.
I’m fine with a bit of moral ambiguity in Star Trek. But I think this episode crossed a line. Hopefully we will see fallout from this come up later in the show.
I really hate typing this but M’Benga went from possibly my favorite character on the show to someone I sort of resent. And I feel like Chapel is right there alongside him. And it made Pike look ineffectual as a leader- he really should have reprimanded Ortegas.
Plus, back to it again, lying about the blade is conspiracy and it really shattered my perception of those two characters.
Anyways, this is just me rambling. I’ll say something positive about the episode: I enjoyed seeing Spock struggle with seeing Chapel in distress and finally figuring out he needed to step away.
I understand your reaction.
For me, this is in many ways a less dark and cynical take than DS9 In the Pale Moonlight and certainly the Section 31 references.
What was critical here was the difference between the journey of individual traumatized officers who had been forced repeatedly to take actions in wartime that compromised their values, and brought out capabilities they never sought to own, vs Starfleet leadership taking cynical action. It’s also a direct outcome of Starfleet’s cynical actions in having M’Benga develop the serum and then use it.
Starfleet’s postwar directive, and Pike’s insistence on pressing it with his senior officers, created the immediate crisis.
However, we need to take account of the fact that it was the ambassador’s own repeated insistence on confronting, engaging and attempting to recruit M’Benga to assist in his mission that led to the break.
M’Benga seemed to be processing his trauma and managing it as well as he could. He wasn’t at the point of exposing the ambassador’s deceit although he appeared to have been contemplating it.
It was the ambassador’s decision to seek M’Benga out again, in his own safe space, his private office, and own refusal to take M’Benga’s rejection that seemed to take the contemplation to action.
The cover up by Chapel and M’Benga is serious, and in the case of M’Benga this is the second case of his hiding something of significance from his captain. He’s an understandable but grey character, and we will have to see where the show takes him.
In Chapel’s case, we have been shown that her bright effervescence hides much darker experiences. It’s now easier to imagine how she will evolves to the very restrained version of herself in TOS.
I feel this is a very authentic portrayal of the chronic legacy unaddressed of trauma in individuals, how a military service and society will need to move on after a society-wide war when its individuals are not yet ready to do so, and how disasterous the potential outcomes when the divide been societal and individual needs in healing are ignored.
It’s not the 24th century Starfleet we’re seeing where there has been a long period of peace and officers can be treated effectively for trauma before returning to duty and it locks in with chronic effects.
I agree that it does not show Pike’s leadership in a positive light, but I find it realistic. What it does show is the gulf between war veterans and those senior officers who, while veterans of other kinds of conflicts, were not involved.
Starfleet needs senior officers, without direct personal history, like Pike to lead the peace and move forward, just as the western allies needed to find a way with some German leaders and scientists after WW2. But not every individual at the front can withstand the stress of that direct engagement with a former enemy.
Starfleet’s order to force veterans into direct contact with a former enemy was psychologically unhealthy and unrealistic, but a value-focused officer like Pike would not have the insight to see that.
This gulf was underscored at a personal level by Chapel’s conversation with Spock, when she could not share her experience with him and he could not ease her pain. The scene between them was an essential confirmation.
What I found interesting is that Number One had the best read on the situation. She saw the pressure the ambassador was putting directly on the veterans in the crew.
As the executive officer, it’s her job to manage personnel, to assess readiness, to deliver a functioning ship for the captain’s command. She accurately saw the problem and recommended action to mitigate the situation by reducing the time to deliver the ambassador to Starbase 24.
What she was not able to do however was to convince Pike to stand down a bit on Starfleet’s toxic order to require veterans of the war to show acceptance of the ambassador. Nor did we see her attempt to try to convince Pike. He was leading from his values and unable to really take measure of its impact on the individuals.
I find it interesting that this show is giving us episodes that show the negatives of Pike’s command style as well as the strengths. While we’ve seen the negatives in Kirk’s and Picard’s temperament’s and command styles acknowledged in the movies and in Picard, this seems to be the first time we’ve had it done with a hero captain in an ongoing television series when he’s in active command of the ship.
@StillPaisleyCat@startrek.website Although I wish some of Pike’s dialogue had been fleshed out a bit to make him feel like less of a generic foil for M’Benga (especially in their scene near the end), I do really like that they had the lead character of the show be the one who doesn’t get it, and in a way that’s in keeping with his characterization (it ties in particularly well with last season’s alternate-timeline Romulan episode, I think).
I’m not a vet and I don’t have PTSD but my girlfriend and I had some pretty similar issues to you with this episode. I think, thankfully, the episode doesn’t seem to expect us to think that M’benga was “right” at the end, or to be happy about what happened, and the final scene between him and Pike is critically important because I don’t think Pike is supposed to look foolish in that scene. Absent that, this episode would feel really gross to me.
As it is, really the only way I can work with this is knowing that the actual arc here is the enormous one that concludes with Star Trek VI, a movie that I feel only gets more radical with every year that passes and every rewatch I give it. Kirk’s realization that he has to let go of all the pain and anger in that movie and allow the world to move on and healing to begin is, when you get down to it, maybe the most optimistic and important message the franchise has ever really tried to express, and if this episode exists as a “middle chapter” between the war itself and that eventual endpoint…well…I can work with it as that middle chapter. But I still feel pretty crummy about it.
On M’Benga, I can’t quarrel with a thing you say and I haven’t been through what you’ve been through. But I’d encourage you to consider that he’s not a finished product. If this show gets to continue as far as it can, we know he’s in for a lot more change. Maybe he has to heal from here to end up somehow working under McCoy. The state he’s in when he hides this from Pike isn’t the end for him. Maybe this is part of trauma we get to watch him process from here?
I would have liked M’benga’s ending monologue to be less final. Instead of “things break, we fix them, but they’ll break again,” even just leaving it as a question-- “can we ever truly fix these things?” would feel like it leaves more room for hope and redemption in the future.
I interpreted that a bit differently, but I definitely see what you mean. I got, “The biobed/M’Benga needs some extra maintenance, but that’s fine since it/he can always be fixed up.” The overall darkness of the episode and the ambiguity of the ending makes that fuzzy, though.
I hope that this is the middle part of a three episode arc, like with Una’s modifications and trial. If there’s a part 3 I think it will end more positively, but we’ll have to wait and see.
So I haven’t been to war, or suffered through it or anything and I can’t say I don’t understand some of the feelings but thank you so much for sharing this. Partially because it makes me feel more hopeful that it isn’t so black and impossible, that it is possible to heal and move on to a degree. I still agree with most of what you said, I felt sad, if not outright disappointed because to me M’benga’s actions aren’t justifiable. It would have been one thing to have Rahl go through Nuremberg style trials or something but the Federation did decide to grant him asylum. I guess I personally dream of a more optimistic world where it might be possible to forgive, but yeah… idk.
I agree with you. However I see the Klingon as the ray of hope in this story.
Even if the Klingon’s diplomat status was built on a lie, unless something else reveals new information, the Klingon was dealing with his role in his past war crimes in a positive fashion.
This episode has highlighted how shady Benga has been for quite a well, from his daughter on in. Nurse Chapel walks the gray line as well. I do like him as a character and the idea of a murderous “Frank Castle, CMO” is hmmm some good stuff.
I liked the look Spock shot Chapel when she said “you feel like” and he was like … umm … surely you jest…and let it go. Very cool! And great Vulcan logic in this ep.
Can we just have a quick shout out to Jess Bush who is such a talented actress. Nurse Chapel experiencing RAGE was so convincing!
She is really good. I loved TOS, I loved other things Majel did, but I never thought before this show I’d actually be taking the Nurse Chapel character seriously.
@rob_t_firefly @stuck Strange New Worlds has two excellent stand-ins for Majel, and I am always glad to see my daughter’s namesake celebrated by giving her roles such respect.
Fancy meeting you here, old pal!
I was always a bit sad that we couldn’t get more of Majel’s Number One back in the day, I considered that the main missed opportunity of the original pilot, and SNW has really paid off in that respect as well.
I didn’t know Majel in real life, of course, but based on all she shared over the years in her work and her speaking publicly about it all I think she would have approved of what SNW is doing with her roles.
I want to call out to everyone the BRILLIANT usage of the medical transporter incoming warning during the war scenes of the episode.
I don’t have PTSD, but I do have cPTSD which is close enough, and the way the sound designers utilized that medical transporter incoming warning seemed VERY clearly an attempt to demonstrate to viewers how PTSD triggers are formed.
Like–so many shows focus on explosions and stuff as a PTSD trigger. Because usually you talk about the soldiers as the vets, not the support personnel.
But with the MEDICS–that sound, going off again and again and again, when they were already overwhelmed and didn’t have the staff or equipment to deal with the incoming wounded…
It’s so clear to me that that sound alone, telling them they’re about to get more dumped on their head when they can’t even deal with the ones they already have, is meant to be fixated in the viewer’s memory to sort of demonstrate how it’d get lodged as a trigger in the medic’s memories.
It was just a fantastic use of sound design to help tell the story. They did it with such a deft hand that it didn’t come off as poor sound design (as it could have), but was still CONSTANTLY THERE, putting everyone on edge.
I wouldn’t be at all surprised if we hear that sound in a later episode and either Chapel or M’Benga (or both) completely hit the roof.
Edit: Unrelated to the sound, I also like how they had M’Benga and Chapel fix up the young man, even resorting to “medieval” medicine by manually pumping his heart–only for him to go out and then COME BACK dead.
It just gives a feeling of hopelessness. They spent so much time fixing him up–and he died anyhow after he was sent back into the meat grinder.
All of what you described gave me strong MASH vibes and me the think the writers had to have loved that show.
When the transporters were being announced, I thought of the choppers coming in and how they all mobilized to deal with it including getting people out of the way so new patients could arrive.
Not to mention the great but heart breaking episodes where they did have to choose one life over another and that was their job in wartime. So incredibly heartbreaking in a comedy show, heartbreaking in a scifi show, yet so poignant.
@poundsignbuttstuff @startrek The war scenes definitely reminded me of the serious side of M*A*S*H.
Elevating a notorious enemy general to the position of ambassador in a handful of years is a total Starfleet move.
“We turned this war criminal into a crusader for peace. Just imagine what we’ll do to you, punk.”
Quark: I want you to try something for me. Take a sip of this.
Garak: What is it?
Quark: A human drink. It’s called root beer.
Garak: I don’t know.
Quark: Come on. Aren’t you just a little bit curious?
Quark: What do you think?
Garak: It’s vile.
Quark: I know. It’s so bubbly and cloying and happy.
Garak: Just like the Federation.
Quark: But you know what’s really frightening? If you drink enough of it, you begin to like it.
Garak: It’s insidious.
Quark: Just like the Federation.
Such an amazing scene and seeing it written makes me respect those two actors so much more. There isn’t really a lot said on the page but their acting really sold that scene and made it spectacular.
I can’t imagine being the writer on the show who wrote that and then saw it acted by those two. I’d have thought I was the best writer ever but the writer had a great analogy and it was the actors that made it sing (and director, editor, producers, etc.)
