Jurassic World. Just give me 90 minutes of dino mutants fighting, I don’t give a shit about Chris Pratt nor some random kids.
Lucy
It’s entertaining as all hell. It doesn’t pretend to be anything more, so I don’t understand the hate it gets. Just turn off your brain, and have some fun. It’s not supposed to be hard sci-fi.
CATS
Cats is not a complicated musical. All they had to do was animate it and get actual voice actors/singers. I’ve seen sketches for what I think was a Tim Burton sketch, and that would have been a million times better. I don’t know who looked at Cat’s and was like, “Yup, we need CGI.” It looks horrendous and sounds bad more often than not. The musical is already pretty out there, how much more fun would that movie had been if we had animators working on it. The creative visuals, colors, motifs. Not to mention a cat is a wonderfully complex animal to animate just because of how they move. That movie could have been a visual delight in part with the Spiderman movies if they let it, but noooooo. Let’s make a nightmare.
The original Purge. I thought all the background stuff and setting were super interesting, but the film itself was a generic home invasion movie. The sequel expanded on all the stuff I was interested in, though.
The sequels really explored the idea with impressive worldbuilding. I admit the first one was more a horror flick, but the others were definitely digging deep into social commentary
Yeah, it wasn’t even that the first one was bad, it’s just that all the things they mentioned in passing, like the New Founding Fathers and the exemptions for Level 10 Government Officials, were building a world that sounded super interesting. Then we got saddle with some boring rich family for 90 minutes. I only got around to seeing the first sequel, but it delivered on all the stuff I wanted to see after I heard that first announcement.
Cabin in the woods
100% agree. It’s a fine twist on the subgenre, but the twist introduces an idea that begs to be expanded upon as part of a larger, cross-subgenre arc. And yet we only get a sliver and then it’s done.
My hot take is that Joss Whedon’s writing is like JJ Abrams’: perfect premises with bad sense of follow-thru, so all their work gets the Netflix “over before it’s satisfyingly concluded” treatment
