The funny thing about being a critic is it doesn’t actually require any qualifications.
prepared for the downvotes here, but I cut my teeth in journalism in arts criticism and deeply respect some of the people I’ve known in the field.
I think this kind of opinion - and the irony does not escape me that I’m performing a sort of criticism here - is rather misinformed.
Yes, anyone can be a critic in the same way that anyone who can, slowly and haltingly, play a C Major scale, can be a musician.
But I believe, like my metaphor, that if you were to dive into successful and recognized critic’s (/musicians) work you’d find a lot more depth than you’d expect.
If any — Who are the critics you dislike, and why? If any — who are the critics you do like (even begrudgingly), and why?
I don’t believe all critics are unqualified or unhelpful, just that the barrier for entry is so low that any “critic review” shouldn’t facially be held as more valid than an average consumer’s view.
IMO the worst reviews tend to be from large gaming journalism companies. There’s a lot of systemic problems with them like crunch, people writing reviews on genres they don’t have experience with, nepotism, and them inflating the scores of AAA titles so publishers continue to give them early access allowing them to release reviews in time. These aren’t all necessarily the fault of the writer of each of their reviews, but do degrade the credibility of the review.
Sticking with games there’s good journalism that comes from independent reviewers, like Dunkey, but they’ll typically have a specialty in a particular genre. My general go to is usually reading Steam user reviews, but only taking to heart those voted most helpful that actually give critiques and praises. Independent critics or user reviews in my eye have the great benefits of not being beholden like large studios.
Someone did a great breakdown comparing user and critic game reviews and outlining the gaming industry’s issues in this video: https://youtu.be/YGfEf8-SNPQ?si=
Off of digital media entirely Project Farm is probably one of the best out there if you’re looking for tools.
I’ve worked as a film critic, and I was shocked by other critics. They didn’t have the knowledge of cinema, directors etc to say anything meaningful other than just what they thought. The they have the film a random (seemingly) star rating or dice toss.
what kind of publication? mine was on something related to the big uk papers: The Times and The Guardian.
Early feelings at the time about Willis feel very similar to the problem John Krasinski has. Krasinski wants to be an action star, and in a vacuum is legitimately good at the roles, but he is so well known for comedy that there is a hurdle to overcome in the minds of the audience.
Willis was obviously able to overcome his image as a pure comedy guy thanks in part part to the strength of Die Hard.
I was too young to watch Moonlighting when it was on TV, so I never knew Bruce Willis as anything other than an action and drama guy until he was on Friends for a few episodes, and then I thought he was out of place.
Critics for movies tend to shit on everything I like. Critics for video games tend to overrate games highly way too much.
I don’t know about game critics, but movie critics have (usually) studied film on an academic level, and watched a whole fuck ton of movies for the purpose of breaking them down and analyzing them. They’re not watching and/or thinking about movies like most people. Of course they will judge them differently.
Yeah. I basically focusing on nitpicky professional details and missing the “is this movie entertaining/fun” part.
The problem is critics are people who always value the new and interesting, and good acting. Because they watch a lot of movies, day in day out.
Sometimes normal viewers just want something dumb that’s exactly what they expect.
For me, it’s not Bruce that’s great in Die Hard. It’s Rickman. Die Hard 3 does better on the protagonist side because of the chemistry between Jackson and Willis, but again it’s the classically trained theatre actor doing a lot of the heavy lifting, single-handedly stopping it from turning into an episode of Blue’s Clues.
In his latest movie, Bruce Willis plays a cop trying to rekindle his ailing marriage. A classic romantic comedy setting which unfortunately gets bogged down by a bizarre terrorist sub plot which ends up taking way too much screen time.
Sadly we’re going to recommend giving this one a pass.
