But wealthy people need to buy those and store them in crates in overseas storage so they can dodge taxes!
That is absolutely not true. Museums themselves only display like 5-10% of their collection - the rest is locked away. Most art is in private storage
cool film it
That’s a weird reason to give for it, like it’s obviously not going to change anything. The Justice system isn’t going to be held up by an artist threatening to destroy some paintings (and it could be years before Assange ever dies in prison), it seems like it’s being done as performance art. Pretty much like Banksy trying to destroy one of his works right after it was sold at auction, it’s being done for the attention/message of the act itself.
If there is more of a taboo around destroying art over human lives, it’s not for the sake of the “Art” itself, it’s for the sake of the arbitrary, yet quantitative value of money that those works have attached to them, because of how ridiculously inflated the price of artwork is (for money laundering purposes or whatever financial hijinks the wealthy are using artwork for). The historical value to humanity probably plays into it as well, but that’s not nearly as big a consideration. Otherwise though, you’ve got governments like the Taliban which will happily destroy history just as easily as they’ll kill people, that’s the kind of society we could have where art is given equal weight to human life.
Meanwhile, the people that our society deems worthy of death are people who don’t really have much income or wealth to their name. If you looked at the average wealth of individuals on death row or who have been executed in the US, it’s likely to be lower than the wealth of average Americans. So Art is valued more than human lives because, quantitatively, some pieces of art are probably worth more than some people would make in a lifetime.
At least the cops know who to watch, but it’s a pain to have to.
Not pieces in someone else’s possession / ownership, ones he was donated. To the best of my understanding this is perfectly legal.
Ok.
I mean, it sucks to see art destroyed, but I guess if you bought it, you can destroy it.
If that upsets you, then maybe we should reconsider allowing art to fall into the hands of wealthy collectors. If it should be preserved for future art lovers and historians, then to quote a great philosopher of our time, “It belongs in a museum.”
I don’t know what it has to do with Assange.
“To destroy art is much more taboo than to destroy the life of a person” - the artist doesn’t like how the world works and he wants to raise awareness. That’s what the connection is
I understand the meaning of the quote, but if this artist said he was going to execute hostages, that would be an entirely different conversation.
I think you might be missing the point. There is a life in danger, Assange’s. He’s forcing people to compare the value of human life to art. If he was executing hostages, you’d be comparing one human life to many.
In the long run, none of us truly owns anything. We all share the same fate, Assange and this clown included. It’s a shame that this clown is holding western culture hostage to his terrorist demands. If he destroys the works, he’s no different than the Taliban or ISIS destroying pre-Islam archeological discoveries.
It depends on the country. In the US an artist has rights and deliberately destroying an artwork can get you sued.
>right to prevent distortion, mutilation, or modification that would prejudice the author’s honor or reputation
not exactly
Rembrandt, Picasso, and Warhol do not have any rights anymore. They have all died.
And how would that compare, for you, to Julian Assange if he dies in prison ?
The fact this guy owns this art is actually kind of disappointing to me. I thought he was just picking a set of famous art and going rogue with it.
A terrorist, but instead of threatening blood only threatening the loss of priceless cultural artefacts. Going beyond mere property damage and loss of value, but still stopping short of violence.
Still a bold move on his part. More impressive, really. But somehow less exciting.
Considering he could make forgeries (considering he has the perfect reference) and destroy those, increasing the fame of those pieces, and their value should he save the original… Something tells me that there’s too much financial incentive not to pull a stunt like that and sell the real paintings later.
Do I have any proof that’s what’s happening? No. But it’s not unrealistic.
