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alleycat

alleycat@lemmy.world
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Das fand ich echt total unverschämt. Ich habe das Buch sofort in die Spree geschmissen.

Seit über zehn Jahren bin ich jetzt ununterbrochen am Arbeiten und habe eine neue Lebenspartnerin.

Schmeiße Bücher von Merz in die Spree, finde GF. Für weitere Life Pro Tips tritt meinem Discord bei!

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One point I want to add: Throughout most of human history, it was economically beneficial to have lots of children. They were your retirement plan (and cheap labor).

In most developed countries, this is no longer the case. People who want children get one or two, just to scratch the itch, but that’s not enough to sustain the population (without migration).

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Yes, and even the bridge is amaranth!

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I just used standard alcohol-based varnish. Tbh I when I started this build, I didn’t even realise it would do that. 😅

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Those are standard (albeit fancy) “french eye” tuning pegs from Thomann Germany. The endpin is in the same style. Maybe for the next instrument I will try to make them myself.

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I wish. Lutes are an entirely different beast. Definitely on my bucket list, though.

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Have you adjusted the speed settings according to what the manufacturer says? LW-PLA can only be printed at a very low speed or else it clogs. It also needs constant speed. For example for colorfabb LW-PLA, I had to set all speeds to 40mm/s.

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So far I just use a baroque bow. I work on a cherry bow from time to time, but it’s quite difficult.

And here is a Quick vocaroo where I play a few notes on each string.

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That’s probably because they’re closely related. Every region in Europe has their own variation of a small, pear-shaped, three-stringed instrument. There’s the Russian gudok, Bulgarian gadulka, Spanish rabel, and so on…

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