gmask1
Does that make 1999 a boomer shooter year? Because Q3A vs UT was one of the great joys of this GenXers early 20’s…
Bought myself a kaweco sport and a travellers notebook for work notes. I’ve found that going pen/paper for notes is a breath of fresh air compared to text editors. I find myself referring back to them more often, making bullet to-dos, and I’ve worked hard to improve my hand writing.
As someone else wrote somewhere… RTD’s back, which means the carnival’s back in town. Lots of running about, flashing lights, loud music, a stunt show with exploding things and people shooting at each other, and comedy hi jinks.
I liked the small things - the time vortex having open areas with multiple paths from 13, the helping/oh-shit-nope-not-helping with the stacking, the psychic paper not keeping up, ‘she’s fine/she’s not fine/been fine’, Sylvia’s “YOU!”, Donna’s ‘WHAT THE HELL!’, the ‘you can’t know your future conversation’ up until they mentioned (again) that Donna dies if she remembers. Didn’t mind the parademons, like the idea of the Sonic having a UI (but hated the shields), loved The Meep even after they got sidelined for the big ending. Console room was kinda meh still, big and bland atm.
Big box computer games, with manuals and maps and those game brochures showing you all the other Ocean software products.
How can a fence builder get it so wrong? Our front fence failed footing and final inspection - the posts are higher than the plan, and the concrete pads don’t go deep enough into the holes. We’re at a loss…
Managed to go into this without any-trailers/spoilers/etc. Hated the “Children in Need”-esque intro, it felt like the ye-olde cartoon before the movie starts.
I can understand concerns about this being the second of only three Tennant/Tate episodes, that it’s the anniversary and we want big celebrations and megabucks worth of explosions and monsters and all that. Instead, we get a full episode with the two stars and their talent, no distractions or crawling through attics. PS. Sylvia and Wilf still - and always will - be awesome.
This was like RDT’s and Moffat’s lovechild, like Midnight and Event Horizon and Alien. Confidently slow-paced with great writing and time for running around, and still having time for a proper ending rather than a magical macguffin arse-pull.
Properly loved it.