There’s plenty of stories from other countries about the cunning hero outsmarting the fae or similar. Just that in America, the hero always wins vs other countries where there are also many stories where the hero gets killed.
Nathaniel Hawthorne and Edgar Allen Poe, two of America’s most famous writers, both based their bodies of work on people paying the price of losing to temptation/sin. Although to be fair I couldn’t think of any popular songs about that.
I know it’s not a popular take, but I don’t like Poe or Hawthorne. I always felt like their shallow exploration of death/edgy topics really only appealed to the immature or unintelligent reader.
I can see their work on a shelf between The Nightmare Before Christmas and a Dashboard Confessional CD- maybe a Jr High textbook as well.
I wouldn’t use them as an example.
A famous legend in my culture is of a humpbacked man stumbling across some magical fuckers and they take pity on him and take away the hump in his back. He is so happy and chirpy he sings their praises and jumps with glee, so they give him a worse hump for being an annoying cunt.
The devil in the song is in a bind and ready to make a deal, which is a little different from other Faustian tales.
Maybe the lesson is that you don’t make good music when you’re under pressure.
Or that gold fiddles sound bad.
Of course he sounded better, he had a whole band backing him up!
The Devil trying to cheat the contest is baked into the song musically.
Something else worth noting - the licks the Devil plays on the fiddle sound good but are easy to play. Johnny’s licks are legitimately complex. He beat that sucker fair and square.
To add to this, the lyrics during the section where Johnny plays are about four traditional fiddle songs that aren’t played in the song itself: Fire on the Mountain, The House of the Rising Sun, Ida Red, and Granny Will Your Dog Bite. I think in the same way that the lyrics of Tenacious D - Tribute make it clear that Tribute is a representation of the greatest song in the world and not the greatest song itself, the music we hear from Johnny’s section is supposed to represent but not be the music he played to beat the Devil.
Johnny admits to knowing that taking the bet was a sin and commits it anyway. Johnny gets the golden fiddle, but the devil gets his soul in the end anyway. What’s 60 more years to an eternal being? The song can still be a cautionary tale you just need to finish it.
Johnny admits to knowing that taking the bet was a sin and commits it anyway.
No, he admits that it might be a sin.
The boy said, “My name’s Johnny and it might be a sin
But I’m gon’ take your bet, you’re gonna regret, I’m the best there’s ever been”
That means he’s acknowledging its a sin but he will do it anyways. You are thinking it says it might be a sin or might not, but thats not how the sentence goes.
I definitely read it as an acknowledgement of a risk rather than an admission of wrong.
Point kinda holds, though. Ignoring the long-term consequences for short-term gain seems to also feature heavily in America.
The county was founded by generations of people who came here with little thought to long term consequences, so it tracks
Eh? The wager was Johnny either gets the fiddle or loses his soul, why would he go to hell anyway?
No human is without sin, after all.
Win or lose, taking the bet at all is a sin, and Johnny aknowleges this in the song. Plenty of protestants (the target audience) see this as reason enough to go to hell.
Now you could argue about forgiveness or confession or whatever the fuck but the stage has been set for Johnny to go to hell even though he won.
“Here’s your fiddle. See you in 80 years”.
I think its a cautionary tale about using evil even when you think you’re good and right. The devil doesnt play fair, and always wins.
It’s not a protestant belief that a single sin makes you irredeemable and sends you to hell.
Well, Daniels wrote a sequel in which the devil comes back to try again. That pretty much negates this theory.
Also, Daniels wrote it in the middle of a recording session for the sole reason that he realized they forgot to write a fiddle song for the album they were recording. So I wouldn’t ascribe too much intention to anything.
According to conventional wisdom, Johnny damned himself by accepting the bet in the first place. The devil “loses”, but that just cements Johnny’s sin of pride.
The devil might not have gotten Johnny’s soul the day of the contest, but make no mistake, he does eventually get the soul.
Nah. Conventional wisdom says he can either
- the the priest all about it and do some chants
- find himself a baptizer and spend the rest of his time Jesusing real hard.
Johnny’s options will depend on his local wise man, but I suspect either way he’ll also be strongly encouraged to buy some merch.
Yes and no. While the rules are all made up, and different people can just make up more rules, the standard rules say that any deal with the devil, even this bet, is a sin, an unforgivable sin. Adding in the sin of pride, which means Johnny is unlikely to ever repent, and the devil got a soul.
Also, there’s a sequel song with a bunch of big names on the project, Johnny went down due to the sin of pride.
Christianity’s whole thing is that no sin is unforgivable (except deliberate rejection of the Holy Spirit’s work/testimony about Jesus (Mark 3:20-28))
Well if you’re religious. There’s a whole class of individuals in the South that get off on showing the religious just how little they care for the tenets of Christianity. In addition to playing a mean fiddle, Johnny probably swears like a sailor and has extramarital sex whenever he can.
The song came out in 1979. The Southern Rebel was a big concept in the culture.
